Forget Me Not, Stéphanie Baechler, photos by Ladina Bischof, published by Building Fictions
Publication design and publishing
404 pages, 220×340 mm
(Photos by Elmer Driessen)

Well, Water Does Not Appear
Solo exhibition, Chillzone, Amsterdam, 2026

Angel's trumpets
Drawing

Well, Water Does Not Appear, published by Building Fictions
Photography, publication design and publishing
160 pages, 148×210 mm

Well, Water Does Not Appear
Solo exhibition, The White, Tokyo, 2025

Mercurial, Martin Huger, published by Building Fictions
Publication design and publishing, collab. Jérémy Glatre
160 pages, 215×320 mm
(Photos by Elmer Driessen)

If Need Be, Pejvak, published by Building Fictions
Publication design and publishing, collab. Timur Akhmetov
316 pages, 230×300 mm
(Photos by Elmer Driessen)

Sunny 16, Looney 11
Permanent installation at Kunsthal Ghent
Mirror foil on windows

Pirouette
Title design for exhibition at MoMA, animation by So-Yeon Kim

ghosts don’t like new things, Minne Kersten
Publication design
40 pages, 289×210 mm, newspaper printing

Notes on Devils, Jacob Dwyer, published by Building Fictions
Publication design and publishing
80 pages, 210×297 mm

anothersunrises
Lamp

we are all extremophiles, David Habets, published by Building Fictions
Publication design and publishing, collab. Ben Schwartz
64 pages, 210×297 mm, riso printing

333, Lukas Rehm, published by Building Fictions
Publication design and publishing, collab. Tatjana Stürmer
252 pages, 220×310 mm

I See That I See What You Don't See, Dutch pavilion at the Milan Design Triennale, 2019
Exhibition design and identity, animation, scenography, collab. Olivier Goethals

I See That I See What You Don't See, reader, Dutch pavilion at the Milan Design Triennale, 2019
Publication design
416 pages, 135×200 mm

We want to look up at the Sun, but could the Sun be looking down on us, Rudy Guedj and Olivier Goethals, published by Building Fictions
Publication design, writing, drawing, publishing
144 pages, 170×240 mm

Ongoing art direction and design for Smiling C, collab. Asger Behncke

Scenes From The Polder Western, Erika Roux and Pilar Mata Dupont, 2024
Poster design, film titles and credits

Instars and Imago, solo show at Ravisius Textor (FR), 2024
Installation, mural drawing, animation, poster design
(Photos by Max Felix)

Instars and Imago, published by Biceps Editions.
Screenprinted edition of 30, 60×40cm

Way-finding and drawing for the exhibition Watercities, Nieuwe Instituut, Rotterdam (collab. Maud Vervenne)

No thanks, I'm just looking, Lisa Sudhibhasilp, collab. Johannes Schwartz, published by Building Fictions
Publication design and publishing
208 pages, 230×340 mm
(Photos by Elmer Driessen)

Ongoing art direction and design for HEAT Amsterdam, collab. Nora Steenbergen

De Ploeg in Bergeijk, Nieuwe Instituut, 2018–2022
Exhibition design and identity, scenography

Door Handle Scare, Jan van Eyck Academie
Drawing, installation

Reasonable Doubt, V2 Rotterdam
Exhibition identity, poster

Dear Clay,, Stéphanie Baechler, published by Building Fictions
Publication design collab. Laura Pappa, publishing
240 pages, 200×280 mm

Letters to the Mayor, Rotterdam, Nieuwe Instituut
Exhibition design and identity

Tummy Rumble, To Me Rubble, as part of *Signals from the Periphery, Tallinn Art Hall
Mural drawing, video

Portable Landscapes, Latvian Contemporary Art Center
Exhibition identity, collab. Karlis Krecers

Cynara, Semis (FR), 2021
Drawing, writing

Chapter 3HREE, Het Hem Amsterdam
Drawing, exhibition signage (collab. Maud Vervenne)

Kursha productions
Logo design

Door handles designed for Kunsthal Ghent

On Architecture and Fireworks
Drawing, writing, part of Jung-Lee Type Foundry's reader, Real-Time Realist #1

From A, To B, To C
Exhibition, Moravian Gallery, Brno (CZ)